James Scancarelli (born August 24, 1941), known professionally as Jim Scancarelli, is an American cartoonist and musician. Since 1986, he has been writing and drawing the syndicated comic strip Gasoline Alley for Tribune Media Services. In that role, his predecessors were Frank King, Bill Perry and Dick Moores. He had served as an assistant to the latter for several years before taking over. Scancarelli is also a prizewinning bluegrass fiddler.
When his family moved to Washington, D.C., for his father’s job, Scancarelli became the target of bullies in school. This circumstance played a role in developing his love of comics.
"Comics were my escape," Scancarelli said. "The characters became my friends. My dad used to bring home three newspapers every night and we’d read the comics."Gaylord HeraldTimes.com, Sunday, November 24, 2013, Cartoonist for oldest American comic led to art by bullying, by Kurt Kolka http://www.petoskeynews.com/gaylord/news/nation/cartoonist-for-oldest-american-comic-led-to-art-by-bullying/article_68309cd0-53b2-11e3-97aa-001a4bcf6878.html
Scancarelli's sense of humor was developed while listening to the radio programs of Amos and Andy, Jack Benny and Fred Allen. Scancarelli credits these "hilarious" comedians with giving him the comedic sensibility which later infused his comics, "whether anyone appreciates that kind of humor or not."From The Daily Courier, Nov. 18, 2012, Artist talks about Cliffside’s connection to Gasoline Alley, BY JEAN GORDON
After serving in the U.S. Navy, he went into radio and television, including a position as art director for The Johnny Cash Show, creating scenery and writing cue cards. In the early 1960s he also worked as an artist in WBTV (the CBS-affiliated television station in Charlotte, North Carolina) graphics department, where he would design sets and props, and draw images on the weather maps. He also would act on occasion, and wrote and voiced episodes of The Yellowjacket, a regular five-minute drive-time radio segment on WBT-FM influenced by the Batman show. Scancarelli had a successful career as a freelance magazine illustrator, and he did slide transparency art until computers made that job obsolete. National Cartoonists Society
Scancarelli's life story has been told in a book titled after his name written by Lewis Stern.
Scancarelli spoke about EC Comics and his other early influences in a 1997 interview with Jeffrey Lindenblatt:
When Moores died in 1986, Scancarelli succeeded him as creator. In 1988, Scancarelli created a sequence wherein Walt Wallet made copies of the Wallet Family Tree. Walt then broke the fourth wall and offered a copy to each reader who sent a self-addressed stamped envelope. It was Scancarelli himself who had to fulfill the requests, which numbered almost 100,000, with copies printed at his personal expense.Maurice Horn. 100 Years of American Newspaper Comics: An Illustrated Encyclopedia. New York: Gramercy Books, 1996.
The strip's lettering is unique in that it uses upper and lower case, although almost all strips follow the tradition of upper case only. Scancarelli also takes the unusual approach of combining continuity storylines with daily gags. He is the strip's sole creator, as he explained to Lindenblatt:
Scancarelli eschews the use of computers in his work, creating Gasoline Alley using the traditional India ink pen and brush techniques and materials of his predecessors on the strip. Daily strips are composed on bristol paper 15 inches by 5 inches, allowing him room for details that will see publication at much smaller size.
Having also collaborated with NCS president George Breisacher on Mutt and Jeff, Scancarelli became the only cartoonist to be involved with two strips on their 75th anniversaries. Daryl Cagles's Political Cartoonists Index Scancarelli had said he hoped to shepherd Gasoline Alley to its 100th anniversary (which came in 2018), and he successfully reached and continued past that milestone.
“My dad instilled in me the love of railways and the love of steam engines,” he said. “There was a short line going from the mill and we’d go see it. I got to know about the people in Cliffside.”
Hogan's Alley hailed Scancarelli's "passionate devotion to his craft, and to the heritage of cartooning" in "one of the comics’ most venerable institutions." Comics historian Maurice Horn praised him as "very capable and creative" and credited him with "some of the prettiest artwork in semi-straight humorous cartooning," while also noting Scancarelli's efforts to include more minorities in the strip.
Bluegrass musician
Model railroader
Awards, service and recognition
External links
|
|